Since we’re on the topic of lens importance, it’s a good time to skim through some of “the best” lenses that compare to the Zeiss 80mm f/2. If you'd like to some of my further thoughts on the Zeiss 80mm, be sure to check out my Contax Carl Zeiss 80mm f/2 Review.
It is also interesting bokeh, but not too choppy or distracting. It's extremely pleasant in terms of buttery smoothness but isn't boring or flat as some lenses. This effect is a combination of the medium format perspective, quality of bokeh, transition of in focus to out of focus areas, sharpness of focal point, and over-all micro-contrast. In fact, a lens can have shallower depth of field, and yet have less pop than one with a wider depth of field. The subject "pops", and it's not merely just because of the bokeh, or shallow depth of field. When we look at Zeiss glass, we see the pinnacle of this effect as far as popular modern film photography is concerned. Still, others say all the terms ultimately refer to the same thing. Regardless of the semantics, the pop-effect and what all actually creates it is hard to describe, though undeniable.
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